Season's Greetings From Snoopy

A little known Peanuts publication, Snoopy Magazine was published from 1988 through 1990. The Winter 1989 issue of this fun-filled quarterly featured a large and delightfully Christmasy centerfold, featuring a Victorian-garbed Snoopy in a one-Woodstock open sleigh. Though it's very unlikely this centerfold was drawn by Schulz himself (be sure and click on this large artwork for an even bigger view), it sure looks like his work, right down to the somewhat shaky line used at the time by the great cartoonist. In any event, this is a rare piece of Peanuts art, sweetly evoking sentiments of the season.

From The Peanuts Gallery: Shermy

It's July and that means it's Christmas in July here in Tulgey Wood, for that jolly season is just a half-year away. To get things off to a truly true-spirit-of-Christmas start, let's turn to that most famous of TV holiday specials, A Charlie Brown Christmas. One of the most interesting things about this endlessly fascinating TV special from 1965 is that it's a snapshot of the strip as it was then (for example, the special shows Snoopy performing impressions but he had not yet regularly taken to wearing costumes or walking upright as a usual habit yet). So the special features Frieda, Violet, Patty, and even 5—and Shermy too. In fact this apperance in one of the most widely-seen Christmas specials ever produced (it's been shown on network TV ever since its debut on December 9, 1965, to huge ratings each year) is one of the main reasons Shermy is remembered, if at all. Poor Shermy deserves better if only because this mild-mannered crew-cut sporting boy was not only one of the strip's original cast of characters in the first installment published on October 2, 1950, along with Charlie Brown and Patty (Snoopy joined the strip two days later), he's also the first character to speak, and also the first (again) to not only mention Charlie Brown by name but also the first to utter the famous line "Good Ol' Charlie Brown," which Schulz immortalized as the unofficial title of the comic strip. Thankfully Shermy himself is immortalized in A Charlie Brown Christmas for he both dances up a storm in the famously free-form dance sequences so well-remembered by most everyone whose seen this animated film and has his very own line: "Every Christmas it's the same: I always end up playing a shepherd." This is Shermy's lament upon being handed his script and costume for his role in the pageant. Perhaps this was some unconscious or even deliberate commentary on Shermy's own position in the strip: he is perennially as a bit player. Personally I have always considered Shermy the Zeppo Marx of the Peanuts gang, and I don't mean that as an insult. Only Zeppo, as a full-fledged Marx Brother, could get away with some of the actions and dialog he was afforded in his few films, even though the lion's share of the laughs and onscreen action was given to Groucho, Chico and Harpo. And so it is with Shermy: he may not have had much face time in the strip or specials, but only a full-fledged Peanuts cast member would be allowed such wry observations. See this little-known Charlie Brown booklet for another Christmas-related example of Shermy's prescience.

Happy Birthday, Sparky

To celebrate the birthday of Charles M. Schulz, here's a cover he drew for Liberty magazine, in its "nostalgia" reincarnation (hence the "Then & Now" appendage). Schulz must have been pleased to draw the cover of this issue celebrating the comics, as he had always been an avid reader and appreciator of the comic-strip art form. (Even his nickname was inspired by the racehorse Sparkplug in the Barney Google strip—that's right, "Google" once referred to something other than a search engine) In addition to including Schulz among the "Great Cartoonists of the Century," this issue also included an article about Sparky and Peanuts, which during this time—the cover date of this magazine is Winter 1973 —was an ever-expanding, unbelievably popular phenomenon. The article features the following observation: "There is no doubt in my mind that drawing a comic strip simply has to be the best job in the world. People send you wonderful letters. the syndicate for which you work sends you enough money to live on, and you are allowed to draw all of the pictures that you have been wanting to draw ever since you were a little kid." Typical Schulzian understatement, with none of the bitterness ascribed to him by recent biographers. What better way to celebrate Sparky's birthday than reveling in this specially drawn art (click on the image for a larger view.)

60 Years Of Crashed Kites And Disrespectful Dogs

Today, October 2, 2010 marks the 60th anniversary of the comic strip that surely needs no introduction, Peanuts, for it was on this date in 1950 that the initial entry in what would become a worldwide phenomenon was first published in a mere seven newspapers, a marked contrast to the 2,000-plus papers in which the comic would eventually appear. To mark the occasion, here's a rare bit of art—a 1967 letter sent out by comic-strip artist/writer par excellence Charles M. Schulz in response to a fan apparently requesting original art. It would be interesting to know if Mrs. Jones of Parsons, Kansas ever received an original strip from United Features Syndicate. Anyhow, I hope you enjoy this example (click on the image for a larger view) of special art created by Schulz outside the strip itself as we celebrate sixty years of happiness with Peanuts.