You’ve wandered into the topsy-turvy world of Tulgey Wood, the blog of writer and historian Jim Fanning. Tulgey Wood celebrates artistry and creativity (and sometimes just plain madness): movies, animation, TV, books, comics—and of course Disney, lots and lots of true-blue, through-and-through Disney, including D23 and Disney twenty-three Magazine, and Sketches Magazine and the Walt Disney Collectors Society. Tulgey Wood is so fun, fascinating and full of frolicsome photos and facts, it’s scary. So wander through the wonder of it all, and enjoy.

Tuesday, November 11, 2014

The Sweetest Story Ever Told: Walt Disney’s Cinderella

This article is part of the Fairy Tale Blogathon, hosted by Movies Silently.  Illustrating this piece are some of my favorite Cinderella images. Be sure and also read the article I wrote about Walt Disney's Cinderella at  It's Members-Only content but you can join D23 for free at the website. 

Why the propensity for perturbation when it comes to the Disney Princesses?  Though there may be a slight something to the charge that these fairy-tale royals overemphasize physical beauty, material wealth and idealized romance to the detriment of little girls, there is also something to be said about the much more important values the Princesses in general embody. Aside from being pretty in pink (or blue) these lovely lasses offer active examples of such virtues as kindness, thoughtfulness and putting the needs of others before one's own just as often (if not more often) as they dream of handsome princes and elegant gowns.

Certainly anyone who actually watches Walt Disney’s Cinderella (1950), to take one very specific example, can see in the scullery-maid-turned-princess a positive character who can be a spiritual role model for girls and boys (and men and woman) of all ages. A story of miracles, of hatred answered with kindness, of paradise restored, Cinderella can be seen as an allegory about good and evil, with virtue triumphing over injustice and cruelty.

Like many fairy tales, which many still overlook as mindless fantasies for preschoolers, Cinderella is a primal story that powerfully explores spiritual issues. Certainly the most famous of all the fairy stories, the Cinderella legend is found in some form in many cultures; there are at least 300 versions of the tale featuring a downtrodden heroine who triumphs over adversity in every language. Walt Disney based his animated version on poet Charles Perrault’s French adaptation, published in 1697. Walt was long interested in animating the richly potent tale; he produced a silent Laugh-O-gram short of the story while he was still in Kansas City in 1922. In the 1930s, a Cinderella Silly Symphony was in development. With the enormous success of his first animated feature, Snow White and the Seven Dwarfs (1937), it was only a matter of time before Cinderella became Walt’s second princess.

As carefully established in the opening narration (delivered by Betty Lou Gerson, who, believe it or not, was also the voice of Cruella De Vil in Walt Disney’s One Hundred and One Dalmatians, 1961) in the resulting animated feature, Cinderella is “abused, humiliated and finally forced to become a servant in her own house. And yet, through it all, Cinderella remained ever gentle and kind. For with each dawn, she found new hope that her dreams of happiness would come true.” This graceful (literally, full of grace) young woman who returns good for evil, has the three eternals: faith, hope and love. The disgraceful (again, literally) cruelty of her Wicked Stepmother and spoiled stepsisters do not change Cinderella; she remains her same caring self.

Cinderella’s love is concretely manifested in her actions toward the mice and birds who are her only friends. Her care for these humble creatures is a sign of Cinderella’s grace-filled state; she is in harmony with nature (except for the evil cat, Lucifer, who is literally named after the devil), an indication of her pre-fall Eden-esque status. Disney animation brings these humble creatures to life with such delightfully delineated personalities; even though some adaptions of this fairy tale mention that the mice who are later transformed into horses are Cinderella’s pets, I’m not aware of any other version of the cinder-girl’s story in which the animals are defined characters. Walt's skillful storytelling establishes this by the introduction of the new mouse in the house Cinderella's rescue of a new mouse from a trap, implying she has done the same for the other mice. She names (or christens, in what are many symbols throughout the film that can be seen as signs of new life at the least or overt baptismal signs at the most) the chubby new mouse Octavius (Gus, or "Gus-Gus," as Jaq calls him, for short). She also gives Gus new garments, as she has done for the other mice and birds; Cinderella, who has nothing, still finds ways to give to her friends. This supposedly simple fairy tale echoes parables such as the Widow’s Mite.

Gus, Jaq and the others return Cinderella’s love in kind. Seeing their benefactor’s heartfelt desire to attend the Royal Ball (Cinderella modestly doesn’t even think of meeting the Prince while the unworthy stepsisters think of nothing else), the mice and birds give their all to fashion a ball gown for their friend.  In a shocking act of brutality, cruelly engineered by the Wicked Stepmother, the stepsisters rip this new garment off of the girl, leaving her in rags.

It’s significant that, in this Disney version of the famed tale, it’s only after the animals act out of love for their “Cinderelly" do the heavenly powers step in, giving what Walt himself termed a “miracle” an even greater emotional wallop for the audience. Aside from the fantasy of the talking animals and the like, the only magic in the film comes in this all-important sequence. The Fairy Godmother—a being of light, like an angel—materializes out of glowing star-like sparkles and reassures Cinderella that, even though the girl is convinced her faith is broken and gone, it is that very faith that makes the Godmother's presence possible. And if there is any doubt that this Godmother represents powers on high, she pointedly says, “Even miracles take time.”

No further evidence of the spiritual punch of this animated tale—sadly dismissed by some as a mere kiddie film— is needed than the anecdote master animator and Imagineer Marc Davis shared on more than one occasion: “Somebody asked Walt what his favorite scene in all the animation that we had done and he said, ‘Well, I guess it would have to be where Cinderella got her gown.’ I think he particularly liked this scene because here the poor comes out on top.” Animation artist, Imagineer and Disney guru John Hench noted that fairy tales “all fall into a pattern, often a Biblical pattern. In the case of Cinderella, she was very high-born [and] was reduced to a kitchen maid.  This is clearly Man being kicked out of Eden.  Along comes a redeemer, a prince, and there’s always a gimmick, a key, a talisman…In Cinderella it’s a glass slipper.  And the person is returned to the former state.”

But at the end of Walt Disney’s Cinderella, the erstwhile scullery maid is more than restored—she is elevated. In this heavenly scene, Cinderella has married the prince, future ruler of this land, and with a compassionate princess— who has known oppression and poverty—at his side we can assume that this royal pair will share the kingdom’s peace and prosperity with all, ensuring that the poor “come out on top.”  But can we really be sure Cinderella lives happily ever after?  Of course, for in the happy ending of this particular princess, the meek have inherited the earth.

Sunday, November 9, 2014

Starting Today: The Fairy Tale Blogathon!

The Fairy Tale Blogathon starts today! Tulgey Wood is a proud participant—check back on November 11 for my contribution. In the meantime, be sure and check out the other bloggers blogging for this blogathon, hosted by Fritzi at Movies Silently. Through this blogathon I have already discovered several new-to-me blogs, including Sister Celluloid (covering MGM's 1955 The Glass Slipper, a poster for which is below) and The Last Sentence.  

Sunday, November 2, 2014

Once Upon An Upcoming Time: The Fairy Tale Blogathon

No sooner has the Countdown to Halloween blogathon ended for 2014 that it's time for another blogathon. Fritzi at Movies Silently is hosting a Fairy Tale blogathon later this month—and Tulgey Wood is one of the proud participants. Check back on November 11 for my contribution to the fairy-tale fun. 

Saturday, November 1, 2014

Bottom Of The Goodie Bag

Halloween would't be complete without checking the bottom of the trick-or-treat bag for one more special treat (or trick?). "The Scarecrow of Romney Marsh" qualifies as a Halloween treat because of its spooky hero, an upstanding vicar who disguises himself as a ghostly Scarecrow to fight injustice during the reign of King George III. Below is the comic book published for several issues during the Scarecrow's original ride on Walt Disney's Wonderful World of Color in 1964. Also take a look at the recent comic by Scarecrow fan and comic artist Bret Blevins that ran in the new defunct Disney Adventures magazine. And for much, much more about the "The Scarecrow of Romney Marsh," please stop by and read the article I wrote for Be sure and check out "From the Jaws of Hell:The Scarecrow of Romney Marsh" by Jim Fanning. 

Friday, October 31, 2014

Happy Halloween From Frankenstein Jr.

The big day is finally here. You may receive a stale popcorn ball, a rotten apple or even (if you are Charlie Brown) a rock in your goodie bag...but will you get nuts (not the edible kind) and bolts? That's what Hanna-Barbera's mighty robotic (and very Halloween appropriate) superhero, Frankenstein Jr., got in his Trick or Treat bag in the rare publicity art created especially for the October holiday below—and he couldn't be happier with his Halloween haul. (It looks like boy scientist Buzz Conroy has more traditional treats.)  Frankenstein Jr. brings our 2014 Countdown to Halloween to a close. Thanks for ringing the doorbell in your cool costumes. I hope that veteran visitors and new guests alike enjoyed their Halloween treats—and I hope everyone will visit Tulgey Wood throughout November for some Mickey Mouse madness, Muppet mania, a Thanksgiving feast, and a special look at Walt Disney's Cinderella. And be sure and skate on over for the annual Tulgey Wood Christmas Extravaganza. But for now... Happy Halloween!  

Thursday, October 30, 2014


In something of a sequel to the 2002 Halloween Disney Catalog Gus and Jaq (costumed as zany ghosts) are back to help Cinderella celebrate the spooky season on this 2005 cover art. (And speaking of Cinderella, be sure and visit Tulgey Wood in November for more about Walt Disney's enchanting animated feature.) The princess, her pals and their pumpkin are here to remind us that the 2014 Countdown to Halloween blogathon is almost over. Stop by tomorrow for one more Halloween surprise. 

Tuesday, October 28, 2014

Monster Cereal Mania

As reported on many other blogs, the General Mills ("Big G") Monster Cereals are back in a retro-stled box as a Target exclusive for Halloween 2014. (The standard boxes bear new designs by DC Comics artists.) These monstrous breakfast foods have been feuding since they were introduced in 1971. (Boo Berry was introduced in 1972.) These retro boxes are styled as if from 1979, complete with an illustrative-type child who looks a little too enthusiastic about the "Free Mask" on the back of the box. ( I love how it says, "Fool Your Friends!"—especially as I don't think that mask would really fit on anyone's head.") The boxes this year include a fun story on the side of the box in which the monsters do what they do best: argue about whose cereal is best. You can dig up some more fun-but-frightful facts about the Monster Cereals at Dinosaur Dracula and the official General Mills site. These "super sweet" cereals are all part of the 2014 Countdown to Halloween blogathon.  

Monday, October 27, 2014

Great Pumpkin Fan Club

What would the spooky season be without Linus and his annual pumpkin-patch wait for the Great Pumpkin? That television classic It’s the Great Pumpkin, Charlie Brown debuted on this date, October 27, in 1966, and Halloween has never been the same. This wonderful Schulz art below (as always click on the image for a larger view) ran in TV Guide to promote the 1971 telecast of this October favorite, only the 6th time it had been broadcast. This animated special has been run (at least once) every Halloween season since 1966. This is another post in the Countdown to Halloween blogathon of which Tulgey Wood is a proud "cryptkeeper."

Saturday, October 25, 2014

Halloween ComicFest 2014

Did you know that today, October 25, 2014, is Halloween ComicFest day? You can visit your local (participating) comic book shop today and get a free comic book! Such funny-book favorites as Batman, Scooby Doo, Archie and My Little Pony are participating in free special-edition comic books. Below is the cover of the Scooby-Doo Team-Up issue that's available, a special edition of the first issue (featuring Batman and Robin) of that title. If you are not familiar with this hard-to-believe-they're-publishing-this-and-I-mean-that-in-the-best-possible-way comic, check out Joe Torcivia's blog for a fun overview. And for more info on Halloween Comicfest click here. This post is part of the 2014 Countdown to Halloween blogathon. Stop by right through October 31st for more spooky silliness.

Thursday, October 23, 2014

Always A Bride, Never A Bridesmaid

Miss Piggy isn't the only character to appear on a comic-book cover costumed as the famous Bride of Frankenstein. Daisy Duck takes a backseat to no one when it comes to glamor and so is wearing a version of the classic Bride costume herself.  Of course, this particular party monster has to put up with the indignity of dealing with a mummy who is coming unraveled. This cover (Pencils by Francisco Rodriguez Peinado, inks by Enriqueta Perea) haunted the October 2008 issue (#695) of Walt Disney's Comics and Stories. It's all part of the 2014 Countdown to Halloween blogathon. If you like what you see, please don't be as quiet as the mummy's tomb—please leave a comment or two!